Painting above by Timothy Hoyer.
Tattooers donating their art for sale to help feed hungry children. That's The Warriors Fund: an exhibit & silent auction to support the students of the Wounded Knee District School (WKDS) on the Pine Ridge Reservation in South Dakota. The opening of the show and auction takes place on Friday, March 6th at 8 of Swords in Brooklyn, and will be on view through the month. It's an event in which a very targeted benefit can be placed in the hands of kids, all through the efforts of our own tattoo community.
The Warriors Fund is being organized by our friend Patrick Sullivan, who, along with tattooers Dave Wallin and Betty Rose, invited over 75 tattooers across the country to donate an original drawing or painting that will be sold to raise money for the food pantry at WKDS, which was created to help feed the 134 Kindergarten to 8th graders on the reservation.
In his Inked mag interview, Pat explained what inspired the charity:
It all really started with one word: food. After donating online, I'd gotten in touch with the principal of the Wounded Knee District School, Alice Phelps. I wanted to do more, so I asked Alice, "What can I do? What do you need?" And she said, "Food." That was kind of a gut-punch. All of the students qualify for meals in school during the day, but most, if not at all, need assistance at home. Feeding America comes out to do a food distribution once a month but the need is a lot greater than that, so Alice started her own food pantry that she runs out of the school. When I talked to her I discovered the nearest grocery store is 80 miles away and these Kindergarten-through-eighth graders often go home to empty cupboards. I felt like I needed to do something about it and kind of took Alice's example. Kids aren't getting enough food? Start a food pantry. You need food for the food pantry? Do a show and raise money to get that food.The show features work from respected artists including Timothy Hoyer, Mike Aul, David Sena, and Scott Sylvia, among others, and also includes work from Cheyenne Randall, known for his "Shopped Tattoos" on iconic images (including the one below). In addition, Matt Arriola designed the benefit t-shirt, which will be available for purchase as well.
For more, check The Warriors Fund site, Instagram, and Facebook.
Photo above of Master Barber "Teddy Boy Greg."
Tattoo above on "Teddy Boy Greg" by Fernie Andrade.
Traditional hand tattooing by Brent McCown.
All photos above by Rebecca Holmes.
I'm back in NYC after the non-stop party that was the Brighton Tattoo Convention. With the miserable winter weather, one would think I'd spend my vacation days flying south to Caribbean beaches and not the cold English seaside, but I couldn't pass up the opportunity to spend my birthday with friends who were traveling from around the world to be a part of this show. I most definitely made the right choice.
The convention took place at the Hilton Brighton Metropole Hotel, located directly on the seafront in the center of the city. It was a massive labyrinth of booths throughout the hotel's convention center, with over 350 artists from over 16 countries working.
In sharp contrast, down the aisle, rap music blared from the booth that housed Norm, Big Sleeps, & Big Meas doing their sought-after script. Crowds also formed around other big names from the US such as Thomas Hooper, Bugs, Bong, and BJ Betts, among many others.
Tattoo above by BJ Betts.
UK legends George Bone, Lal Hardy, and Alex Binnie drew
plenty of fans as well. [As a side note: Alex had a gathering on Thursday night before
the show for the release of Charles Boday's Handpoke Tattoo book, and it was great
to check out his Brighton shop, which has that same cool vibe as his
iconic London studio.]
One particular thing I found interesting in the lead-up to the show was that many artists -- who normally book their convention appointments months in advance -- were advertising that they would be doing almost all walk-ups, so lucky convention goers who got in early could get prized time without being on a waiting list. I wonder if they knew how lucky they really were.The tattoo competitions were limited to Best of Day entries with Guen Douglas winning Friday for a neo-traditional lady hand tattoo; Ryan Evans winning Saturday for his black and grey portrait of Marlane Dietrich; and Alex Gotza of Dirty Roses Tattoo in Greece winning Sunday for a full thigh gypsy tattoo (shown below).
As for me, I spent much of my time helping the convention organizer Woody manage the press, as there was a lot of interest in this eighth year of the show. But when I wasn't doing that, you'd most likely find me at the opulently decked out booth -- complete with gold drapery and Moroccan lanterns -- of tattoo witches Alicia Cardenas, Goldilox, Delphine Noiztoy, and Lorena Morato. Other stunners at that booth were model Moniasse, Frank Doody, and Drew Becket. [All of whom are shown in the pic below.] I shared a rented house with these beautiful people, kind of like a Real World Brighton, and ... I think I'll leave the exploits (and damaging photos) off this blog. Moving on ...
More seriously, there was also a lot of tattoo history shared at the show. Our friend Dr. Matt Lodder gave a wonderful talk on Sutherland MacDonald, "the first tattoo artist." And just outside his roundtable discussion, you could view the artifacts and archival photos from the famed Bristol Tattoo Club. I also particularly loved the fine art exhibition of Ramon Maiden (a post on him is coming soon).
Most of the hard partying took place at the Sailor Jerry cocktail lounge and by the main stage where crowds of psychobilly babes gathered on Friday to see The Meteors, who still can bring a mosh pit to action after 35 years (with an older shirtless crowd). Other bands through the weekend included The Sex Pistols Experience, as well as King Salami and the Cumberland 3.
Prettying up the Rockabilly set pre-concerts were barbers flown in from California, although lumberjack beards and skull caps dominated over pompadours. Really, I could barely recognize friends underneath all the hirsute hotness.
It's all these different offerings, in addition to top tattooing, that make a great convention. Most important to me, these gatherings are an opportunity to share love with friends from across the globe and reaffirm that we are one community of beautiful freaks. And that's better than any beach vacation.
For more on what went down at the convention, check the Brighton Tattoo blog, and these news items:
The Brighton Tattoo Convention is well underway in its second fabulous day, with booths buzzing and some beautiful works of art walking the conventions floors at the historic Hilton Metropole. I'll be running around (celebrating my birthday today) but I wanted to share some shots by photographers Krysten Marlette (shown above) and Rebecca Holmes (photos below).
I'll be posting more here and on Instagram through the weekend. Also check #brightontattoocon.
Tattoos by Cherry Blossom Tattoo.
As today is the start of the Brighton Tattoo Convention, it's fitting to highlight a local Brighton artist: Fade FX, a tattooer with a particular specialty in geometric dotwork -- who also does traditional Borneo hand tapped tattoos -- is the subject of this short film (above) by Ember Films (produced by Jonathan Jones, and the direction & post production by Justin Hunt and Andy Steggall).
The film looks at the experiences that shaped Fade and how they have influenced her artwork. She further discusses her connection with precise geometry and technical drawing in her tattooing. And there are also some great scenes with other local artists.
We know that not every tattoo needs a grand story behind it. And yet, the stories behind many can be so inspiring that the artwork takes on multiple roles: to beautify, but also allow us to see things differently. One such story for me is a tattoo that Roxx of 2Spirit Tattoo shared, which was done by 2Spirit artist Cats on her client Rebecca, who wanted a tattoo that spoke to her experience living with scoliosis, her surgeries, and the active life she now lives.
Here's more on the tattoo and Rebecca's story in Cats' own words:
I received an email about a year ago from a girl who wanted a tattoo of a camel skeleton and some pattern work. I liked her idea, but had no idea where this concept had originated. In the consult, Rebecca explained that she had lived with Scoliosis since 2007, when it kind of came out of nowhere". She had tried a number of different treatments and therapies in the hopes of preventing it from getting worse, but to no avail. The next step was spinal fusion surgery. She says that this was a voluntary choice she made, and it was the best choice she has ever made. Her surgery took place in 2011, and about 6 months later she got back to sports, kickboxing, working out, jogging, yoga, etc.See more of Cats' work on the 2Spirit site and on her Instagram.
All weekend, my social media feeds were blowing up with photos from the Philadelphia Tattoo Convention. My favorite images were those of tattoo legends (many of the Bristol Tattoo Club) gathering together for a great group shot (shown below). I particularly loved finding, in that photo, Charlene Anne Gibbons, daughter of famed tattooed lady "Artoria" and master tattooer Charles "Red" Gibbons. [As I wrote here last March, Charlene is in the process of writing a book on her parents. Read an excerpt in the post.]
The staggering lines to get into the convention could largely be attributed to renowned veteran tattooers in attendance (although there were lots of newer artists) or maybe the extremely inflated fake boobs with questionable tattoos on display. A #phillytattooconvention search may bring up more half naked bathroom selfies than artwork, but a lot of the tattoo photos were of strong work.
The press seemed to focus on one main thing: a performer catching fire in a fire-breathing act, which you can view above. It's worth waiting for the ridiculous ad to run before seeing the footage, taken by convention-goer Jeff Hurd, just to watch how cool the performer and those running the entertainment handle the flames. Nuts!
See more photos from the show on the convention's Facebook page and via Instagram and Twitter convention hashtags.
Known for strong, traditional tattooing, especially the bold-will-hold black variety, Sway of Sacred Electric in Leeds, UK, was recently interviewed for the Brighton Tattoo blog. In that Q&A, Sway talks about Sacred Electric, his crew, and how they find inspiration for their work. Here's a taste:
Firstly how did you get into tattooing? How long have you been tattooing?Read more on the blog.
For those in the US wanting to get work, Sway will be traveling to the East and West Coast this summer. And in addition to the Brighton Tattoo Convention next weekend, Sway will be at the Nepal convention in April.
See more of Sway's work on Instagram, Facebook, and Tumblr.
Eyeball tattooing above by Luna Cobra.
Many, too many, news headlines recently had a "point-n-laugh look at the freaks" quality, which seems to be inspired by images from the Venezuela Tattoo Expo, from Jan. 29 to Feb. 1. As this HuffPo piece shows, a lot of the body modification photographed by the press were "extreme," with the greatest attention given to eyeball tattooing and especially to Henry Damon, the Venezuelan man who had undergone surgery to look like the comic character Red Skull (shown below).
While I don't endorse high-risk bod mod procedures, I also don't agree with the way mainstream media vilifies those who undergo such procedures. And more often than not, they get the facts wrong.
For example, despite the headlines from the BBC to AsiaOne to Cosmo to the Washington Post, eyeball tattooing is not a trend or "a thing" today, as described by WaPo. It is true that, since BMEzine's Modblog first documented eyeball tattooing in the body modification community in 2007, more people around the world have gotten the procedure done. However, in reading the headlines, you'd think that the tattoo community en masse has run out to stick syringes in our sclera.
It seems that these outlets have picked up on statements made to the BBC by body modification artist Luna Cobra, who was one of those who performed the cosmetic eyeball tattooing in 2007, noted above. The BBC writes:
Luna Cobra says that what started as an experiment between friends, and fans of Dune, has run out of control. He's also heard that it's fashionable among Brazilian teenagers and in some Russian sub-cultures - and worries that people could be being harmed.
I fully agree that there is cause for alarm when people engage in dangerous practices as fashion, but an odd course does not make an epidemic. And if we did all run out to color our eyeballs, does that deserve that the mocking and vitriol of the media and society at large?
Many of these articles also question the mental state of people who undergo "extreme body modification," but we don't see that same level of discussion when some Real Housewife character blows up her lips and breasts to unnatural and unsafe proportions.
So will it take a real eyeball tattoo or nose-nipping "trend" to quiet the point-n-laughs? After all, it wasn't that long ago when people with just tattooed sleeves were the big "freaks."
Presenting tattooing in the context of fine art and fashion, Marco Manzo of Tribal Tattoo Studio in Rome, presented his elegant ornamental backpieces and leg work at Museum Maxxi in an exhibit entitled "Tattoo D'Haute Couture."
Sponsored by BMW to present its latest motorcycle, Marco's most stunning clients, clothed in dresses by Maison Gattinoni, posed on the bikes and elevated platforms as works of art themselves before a crowd of onlookers and media.
There was plenty of media coverage (which you can see from Marco's Facebook page here), including this video from the show embedded below.
One article in Ansa, written in Italian (which I put through Google Translate), quotes Marco explaining how one of the most important features of his ornamental tattoo work is the emphasis on the curves of the silhouette, highlighting the beauty of the body, just like a custom-made suit from a top couturier.
Marco has been tattooing since 1992, and is recognized for his blackwork, whether it be strong bolder motifs or the more intricate embroidery-styled tattoos as presented in this exhibit. See more of Marco's work on his site, Facebook, and Instagram.